| 271 |
102-1
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英文一碩士班：研究方法與報告寫作 TFLXM1F0613A0A
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| 272 |
102-1
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英文三：英作文（三） TFLXB3A1053 1D
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| 273 |
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| 274 |
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英文進學班三：英國文學（二） TFLXE3A0515 1A
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| 275 |
98-1
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Mapping, the City, and Naipaul's Miguel Street
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改写旅行者―池澤夏樹《安静的大地》和多和田葉子《球形時間》中伊莎貝拉・波徳形象的分析
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| 277 |
95-1
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ガラスの宮殿
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| 278 |
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| 279 |
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Representing Empire: A Reading of "From Tideway to Tideway"
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| 280 |
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The 1918 Shikoku Pilgrimage of Takamure Itsue: An English Transation of Musume Jyunreiki
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| 281 |
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小野正嗣『線路と川と母のまじわるところ』
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| 282 |
94-1
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Connecting the Past and the Present: A Reading of Amitav Ghosh's In An Antique Land
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| 283 |
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Rewriting Travel: A Reading of the Two Versions of "The City of Dreadful Night"
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| 284 |
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英語で読む『ある偽作家の生涯』
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| 285 |
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裁縫師のカレンダー
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| 286 |
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| 287 |
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| 288 |
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Not Feeling Home at 'Home:' On Rudyard Kipling's Writings of the Early Eighteen-Nineties
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| 290 |
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| 291 |
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Representing Empire: An Interpretation of ‘From Tideway to Tideway’
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| 292 |
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| 293 |
93-1
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A lesson of Being Observed: On Amitav Ghosh’s In An Antique Land
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| 294 |
93-2
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Erasing Footsteps: A Comparison between the First and Subsequent Editions of Isabella Bird’s Unbeaten Tracks in Japan
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| 295 |
96-2
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Responding to Travel: How Isabella Bird Is Re-imagined in Some Recent Japanese Novels
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| 296 |
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Looking only at My Shadow before Me’?: On V. S. Naipaul’s Miguel Street
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| 297 |
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Returning Only in Order to Depart: On V. S. Naipaul’s The Middle Passage
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| 298 |
100-1
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| 299 |
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| 300 |
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