| 095 / 1 |
The Destructive Forces of Long Day's Journey into Night
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2016-11-29 |
| 096 / 1 |
凱特．蕭邦在「一小時故事」中之語言迷宮
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2016-11-29 |
| 096 / 2 |
Long Day’s Journey into Night: True Tragedy or Transcendental Idealism?
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2016-11-29 |
| 096 / 2 |
The East/West Cultural Relationship in The Crippled Tree
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2024-03-15 |
| 095 / 2 |
Feminine Self-Assertion in ‘The Story of an Hour’
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2016-11-29 |
| 099 / 1 |
The Multiple Facets of the Past in The Glass Menagerie
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2016-11-29 |
| 096 / 2 |
Blanche's Cultural War in a Streetcar Named Desire
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2017-06-14 |
| 104 / 2 |
The Chinese Taoism of Fred Faulk in Williams’ The Night of the Iguana
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2016-11-29 |
| 104 / 2 |
Chinese Cultural Influence on Death in The Night of the Iguana
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2016-11-29 |
| 105 / 1 |
Taoism and Maxine Faulk in Williams’ The Night of the Iguana
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2024-03-15 |
| 105 / 1 |
The Poetic Forms of Shakespeare’s Three Single-Sentenced Sonnets
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2017-05-15 |
| 105 / 1 |
Metaphysical Violent Hermeneutic Misreading of Confucian Literary Theory
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2017-05-18 |
| 106 / 1 |
Chinese Cultural Influence on Hannha Jelkes in The Night of the Iguana
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2017-06-12 |