| 211 |
106-2
|
外語授課紀錄
|
英文一碩士班：英文寫作（二） TFLXM1A2135A0A
|
| 212 |
106-2
|
外語授課紀錄
|
英文進學班四：美國文學 TFLXE4A0472 2A
|
| 213 |
106-2
|
教學計畫表
|
英文一碩士班：英文寫作（二） TFLXM1A2135A0A
|
| 214 |
106-2
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教學計畫表
|
英文三：小說選讀 TFLXB3A0988 0P
|
| 215 |
106-2
|
教學計畫表
|
英文進學班四：美國文學 TFLXE4A0472 2A
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| 216 |
106-2
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教學計畫表
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英文進學班一：英語會話 TFLXE1A0529 2C
|
| 217 |
106-2
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外語授課紀錄
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英文三：英語演講 TFLXB3A0532 2F
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| 218 |
106-2
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外語授課紀錄
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英文二：英國文學（一） TFLXB2A0514 2A
|
| 219 |
87-2
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會議論文
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Thomas Pynchon's Gravity's Rainbow and James Joyce's Ulysses
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| 220 |
91-1
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會議論文
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Ecocriticism and Nicolas Roeg's Walkabout
|
| 221 |
91-2
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James McNeill Whistler and Ezra Pound: a reunion between a butterfly and a gadfly
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| 222 |
92-1
|
會議論文
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Hart Crane's The Bridge: the suspension of disbelief; the gravity of
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| 223 |
92-1
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會議論文
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William Carlos Williams: critical reception and the ecological unconscious
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| 224 |
93-2
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Patrick White's Riders in the Chariot: a green flaw in the crystal glass
|
| 225 |
93-2
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The Ecocritical Unconscious in James Agee's and Walker Evans's Let Us Now Praise Famous Men
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| 226 |
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James Agee's Let Us Now Praise Famous Men: a baroque retort to straight photography
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92-2
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Paterson I-IV (1946–1951): an examination of William Carlos Williams's ecological sensibility
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William Carlos Williams's ecological avatar, Francis of Assisi
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| 229 |
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The environmental imagination in Stephen Crane's The Black Riders and
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| 230 |
97-1
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Environmental Education and Education for Environment Initiatives in the Adult Community and Further Education Sector
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| 231 |
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William Carlos Williams and Pan
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| 232 |
98-1
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Globalization and an Ecological Narrative of Guanyin Mountain
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| 233 |
98-2
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William Carlos Williams: Pan, satyrs, and 'blameless beasts'
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| 234 |
98-2
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Stephen Crane and the Green Place of Paint
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| 235 |
99-1
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Sir Gawain and the Green Knight, translated by W.S. Merwin: a
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| 236 |
99-1
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Rabbits, camels, and other unwanted species in Australia literature
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| 237 |
100-1
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Agamben's The Open: Man and Animal: cetaceans seen through the eye of the human
|
| 238 |
99-2
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| 239 |
100-1
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William Carlos Williams's Environmental Response to Modern Painters
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| 240 |
101-1
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Hughes and the Posthuman Animal
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