教師資料查詢 | 類別: 期刊論文 | 教師: 包德樂 BRINK, Dean Anthony (瀏覽個人網頁)

標題:John Ashbery’s ‘37 Haiku’ and the American Haiku Orthodoxy
學年
學期
出版(發表)日期2010/08/01
作品名稱John Ashbery’s ‘37 Haiku’ and the American Haiku Orthodoxy
作品名稱(其他語言)
著者Brink, Dean; 包德樂
單位淡江大學英文學系
出版者Fo Guang University; University of Manitoba
著錄名稱、卷期、頁數Taiwan ELT Publishing, Globalization and Cultural Identity / Translation
摘要Shaped by R.H. Blyth and later Kenneth Yasuda’s seminal introductions to Japanese haiku in the midtwentieth
century, haiku in America has as a form of poetry come to reflect certain premises, expectations and
inhibitions. While claiming authentic emulation of the form, American haiku poets have abandoned possibilities
for disturbing the fiction of the real, the so-called haiku or Zen “moment,” and reproduce fundamentally
Orientalist stereotypes that both contribute to its popularity and weaken it as a serious literary form. Below I
argue that John Ashbery’s haiku transgress this status quo in American haiku. American haiku has primarily
focused on a rhetorical presentation of a passively experienced objective moment, which reflects only one
approach to Japanese haiku, while in Ashbery one finds not only his own poetics irrupting in the haiku form, but
also his re-introduction of writing practices found in traditional Japanese poetry to satirize American haiku. As
such, his haiku stand as an amusing performative critique of haiku in twentieth century America and of haiku as
received from Japanese models.
關鍵字
語言英文(美國)
ISSN
期刊性質國內
收錄於
產學合作
通訊作者
審稿制度
國別中華民國
公開徵稿
出版型式,紙本
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