| 096 / 1 |
Remapping Ozu’s Tokyo? The Interplay between History and Memory in Hou Hsia-Hsien’s Café Lumière
|
2010-06-16 |
| 091 / 1 |
Looking for nostalgia: memory and national identity in Hou Hsiao-Hsien's a time to live, a time to die
|
2017-01-19 |
| 090 / 1 |
Floating Desire, Floating Souls: Modern Cultural Landscape in Tsai Ming-Liang's Taipei Trilogy
|
2013-06-13 |
| 100 / 1 |
Do You Know I am Looking at You? Visual Pleasure and Body Politics in Tsai Ming-Liang's Films
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2015-03-16 |
| 103 / 1 |
長鏡頭與非人中心主義 專訪是枝裕和
|
2015-03-02 |
| 103 / 1 |
書評 安靜的沉澱-《宛如走路的速度 我的日常、創作與世界》
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2015-03-02 |
| 104 / 1 |
光影交錯的人生風景: 宮本輝與是枝裕和的《幻之光》
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2016-01-22 |
| 094 / 1 |
Film Authorship and Taiwanese Cinema
|
2016-02-26 |
| 106 / 1 |
The Poetics of Asian Minimalism: Long Take/Long Shot Stylistics in the Films of Ozu Yasujiro, Hou Hsiao-Hsien and Kore-eda Hirokazu
|
2020-03-17 |
| 110 / 1 |
From Globe to Hollywood: Kenneth Branagh's Shakespearean Films
|
2021-10-06 |
| 111 / 2 |
全球莎士比亞與在地哈姆雷特：兩部莎士比亞電影改編
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2023-09-07 |