專書
| 學年 | 113 |
|---|---|
| 學期 | 1 |
| 出版（發表）日期 | 2024-11-06 |
| 作品名稱 | Miedo y caos. Teoría y transformación de los géneros literarios |
| 作品名稱（其他語言） | 恐懼和混亂。文學體裁理論與轉型 |
| 著者 | Fernando Darío González Grueso |
| 單位 | |
| 出版者 | Ediciones Catay |
| 著錄名稱、卷期、頁數 | |
| 摘要 | This work proposes a novel, multidisciplinary theoretical framework for understanding literary genres, particularly the novel, through the lens of chaos and string theories. Historically, knowledge across disciplines was integrated, but modern hyper-specialization has created artificial divides between the sciences and humanities. Drawing from polysystem theory and cultural planning, the authors advocate for a reconnection through an eclectic approach grounded in empirical and perceptual realities. Central to this proposal is the *universal chaological model*, inspired by eleven-dimensional astrophysical theories, which classifies literary genres as dynamic, chaotic systems. The novel is understood as orbiting around chaotic attractors, with *fear*—metaphorically conceptualized as a strange attractor—serving as a central, structuring force in artistic creation. The second section analyzes theories of fear, tracing its aesthetic and philosophical treatment from classical to contemporary theorists, notably Delumeau, Freud, and Lovecraft. The study culminates in a multidimensional descriptive model based on 48 selected works, employing a deductive method. The model uses a representational table that categorizes artistic expressions along axes of horror and terror, intersected by three experiential perspectives: the Self, the Other, and the Other-Self. Ultimately, the study aims to offer a flexible and innovative tool for literary genre analysis, bridging theoretical gaps and encouraging interdisciplinary dialogue. / 本研究提出一項嶄新且跨學科的理論框架，嘗試以混沌理論與弦理論為基礎，重新理解文學類型，特別是小說體裁。歷史上，各學科知識彼此交融；然而，現代過度專業化導致自然科學與人文科學之間形成人為隔閡。本文借助多系統理論與文化規劃觀點，主張重新建立學科間的聯繫，並以重視經驗實踐與知覺過濾的折衷方法為理論出發點。核心理論為「普遍混沌模型」（universal chaological model），受到十一維天體物理理論啟發，將文學類型視為一種動態混沌系統。小說被理解為環繞混沌吸引子運行，而「恐懼」則被隱喻性地建構為一種奇異吸引子，成為藝術創作的結構核心。第二部分探討恐懼的理論演變，追溯其自古典至當代表述之審美與哲學意涵，並特別參照 Delumeau、佛洛伊德與洛夫克拉夫特等人之觀點。研究最終建構一套基於四十八部作品的多維描述模型，採用演繹方法，並建立一張坐標表，橫軸為「驚悚」與「恐怖」，縱軸為「自我」、「他者」與「他我」，以呈現人類對經驗的三重感知。本文期望此一彈性且創新的分析工具，能彌合理論斷層，推動文學類型研究的跨學科對話。 |
| 關鍵字 | |
| 語言 | es |
| ISBN | 9786269817832 |
| 相關連結 |
機構典藏連結 ( http://tkuir.lib.tku.edu.tw:8080/dspace/handle/987654321/126513 ) |