| 099 / 1 |
When Baby Gives Birth to Parents: The Dramatization of the Stasis of Time in Paula Vogel’s And Baby Makes 7
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2012-10-26 |
| 097 / 2 |
When Two Split Merged into One: Ethical Reconsideration in Mary Zimmerman’s Metamorphoses
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2012-10-26 |
| 098 / 2 |
Who is Sylvia or who are we?: Alternative Subjectivity in Albee’s The Goat or, Who Is Sylvia?
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2012-10-26 |
| 099 / 1 |
Topic: “A Reverse Alchemy: Capitalism, Epistemology and Ethics in Mary Zimmerman’s Metamorphoses”
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2012-10-26 |
| 098 / 2 |
The Disruption of Male Sexual Discourse in Paula Vogel’s Hot ‘n’ Throbbing
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2012-10-26 |
| 099 / 1 |
The Wisdom of Love: The Interplay of Mythos and Logos in David Henry Hwang's The Sound of a Voice
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2012-10-26 |
| 099 / 1 |
The Construction of Characters through Narrative in John Lyly's Galatea
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2012-10-29 |
| 099 / 1 |
Self-Devouring and Self-Proliferation: the Inner Revolution in Marsha Norman’s ‘Getting Out’
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2012-10-29 |
| 099 / 1 |
Eaten by the Other
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2012-10-29 |
| 101 / 1 |
Spectacle and space: epistemological anxiety (ethics) in Jose Rivera's Marisol
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2014-08-27 |
| 101 / 2 |
Bodily Orifices as a Site of Cultural Intervention in Cherrie Moraga's “The Hungry Woman: The Mexican Medea”
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2015-02-05 |
| 101 / 2 |
Trauma and the Production of Memory in Paula Vogel’s How I Learned to Drive
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2015-02-05 |
| 102 / 2 |
黑人劇場中缺席的父親們
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2015-02-05 |
| 103 / 1 |
A Farcical Tragedy: Community in George Bernard Shaw’s The Doctor’s Dilemma: A Tragedy
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2015-02-05 |
| 103 / 1 |
Unsettling the Sense of Community in the Xiao Zi-Han Dance Troupe’s ‘Love Gleaners’
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2015-02-05 |
| 103 / 2 |
“Forgiveness and Time—Gendered Trauma in Women’s Theatreâ€
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2015-09-10 |
| 104 / 1 |
To Protect or to Negate?Community in An Enemy of the People and The Normal Heart
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2016-03-07 |