| 096 / 1 |
Sustaining Jouissance: Commercial and Heian Modes of Intertextuality in Tanka by Tawara Machi
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2013-04-16 |
| 099 / 2 |
Critical High Camp: The Political Dimension in Ashbery’s A Worldly Country
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2017-06-14 |
| 099 / 2 |
Nativist legacies of desinicization and nationalist sentiment in poetry during the Second Sino-Japanese War
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2015-01-22 |
| 099 / 1 |
John Ashbery’s ‘37 Haiku’ and the American Haiku Orthodoxy
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2017-01-17 |
| 099 / 1 |
Resisting Globalization in Taiwan: Integrated World Capital and the Poetry of Jiao Tong
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2011-09-30 |
| 100 / 1 |
Globalization and the Portable Poetic Matrix in Tamara Machi's Travelogues
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2013-04-30 |
| 100 / 1 |
Japanese Imperialism and Poetic Matrices: Conventional Projections of Nature and Labor in Early Colonial Taiwan
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2017-06-14 |
| 100 / 2 |
Pygmalion Colonialism: How to Become a Japanese Woman in Late Occupied Taiwan
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2013-06-13 |
| 100 / 2 |
Cheerful Dissensus: Almighty Satirical Poetry Columns in Neoliberalist Japan
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2014-03-17 |
| 101 / 1 |
Transversality and Imperial Affect: Situating Brian Turner’s Phantom Noise
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2014-03-17 |
| 101 / 1 |
Resisting Imperial Jouissance: The Transideological Line in Recent American Antiwar Poetry
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2014-03-12 |