| 096 / 1 |
Sustaining Jouissance: Commercial and Heian Modes of Intertextuality in Tanka by Tawara Machi
|
2013/04/16 |
| 099 / 2 |
Critical High Camp: The Political Dimension in Ashbery’s A Worldly Country
|
2017/06/14 |
| 099 / 2 |
Nativist legacies of desinicization and nationalist sentiment in poetry during the Second Sino-Japanese War
|
2015/01/22 |
| 099 / 1 |
John Ashbery’s ‘37 Haiku’ and the American Haiku Orthodoxy
|
2017/01/17 |
| 099 / 1 |
Resisting Globalization in Taiwan: Integrated World Capital and the Poetry of Jiao Tong
|
2011/09/30 |
| 100 / 1 |
Globalization and the Portable Poetic Matrix in Tamara Machi's Travelogues
|
2013/04/30 |
| 100 / 1 |
Japanese Imperialism and Poetic Matrices: Conventional Projections of Nature and Labor in Early Colonial Taiwan
|
2017/06/14 |
| 100 / 2 |
Pygmalion Colonialism: How to Become a Japanese Woman in Late Occupied Taiwan
|
2013/06/13 |
| 100 / 2 |
Cheerful Dissensus: Almighty Satirical Poetry Columns in Neoliberalist Japan
|
2014/03/17 |
| 101 / 1 |
Transversality and Imperial Affect: Situating Brian Turner’s Phantom Noise
|
2014/03/17 |
| 101 / 1 |
Resisting Imperial Jouissance: The Transideological Line in Recent American Antiwar Poetry
|
2014/03/12 |