專書單篇
| 學年 | 106 |
|---|---|
| 學期 | 1 |
| 出版（發表）日期 | 2017-09-26 |
| 作品名稱 | Neoliberalised development of cultural policies in Taiwan and a case of the Taiwanese film industry in a creative industries model. |
| 作品名稱（其他語言） | |
| 著者 | Hui-Ju Tsai; Yu-Peng Lin |
| 單位 | |
| 出版者 | Routledge |
| 著錄名稱、卷期、頁數 | The Routledge Handbook of Global Cultural Policy. |
| 摘要 | The neoliberalised plan of creative industries has eroded the public value of culture and media policies and changed the cultural landscape. Neoliberal rhetoric has become pivotal to the successful ‘common-sense’ of recent decades (Harvey 2005, pp. 39-42; Hall 2011). It has not only infiltrated society but also penetrated the field of cultural policies. The British conception of creative industries, for example, was grafted onto a new cultural and creative industries project in Taiwan. The localisation of British policy discourses and the process of public acceptance-this common-sense that ‘culture is a good business’ of the same underlying neoliberal agenda-has occurred not only in Britain but also in the Taiwanese context. |
| 關鍵字 | neoliberalism;cultural policy;creative industries;film industries |
| 語言 | en |
| ISBN | 9781317512899 |
| 相關連結 |
機構典藏連結 ( http://tkuir.lib.tku.edu.tw:8080/dspace/handle/987654321/115871 ) |