期刊論文

學年 100
學期 1
出版(發表)日期 2011-12-01
作品名稱 “Silent Music”: Desiring-machine and Femininity in Some Music-themed Comics
作品名稱(其他語言)
著者 Tu, Ming-hung Alex
單位 淡江大學英文學系
出版者 Drexel Hill: John A. Lent, Ed & Pub
著錄名稱、卷期、頁數 International Journal of Comic Art 13(2), pp.75-86
摘要 French comics theoretician Thierry Groensteen highlights on comics’ “sonorous” quality: “the ‘text’ of comics obeys a rhythm that is imposed on it by the succession of frames—a basic heartbeat that, as is seen in music, can be developed, nuanced, and recovered by more elaborate rhythmic effects stressed by other ‘instruments’ (parameters).” As a visual medium, one of comics’ most distinctive characteristics lies in the “synaesthetic transfer,” a manifest potentiality of transmigration of senses (through onomatopoeia, void-crossing, affective graphic patterning and inter-panel rhythms…etc.). The assemblage of image-clusters eventually draws variations and mutations that constantly undergo deterritorialization and reterritorialization. Tracing the trans-sensual movement and affective turn in Takemiya Keiko’s Variations and Ninomiya Tomoko’s Nodame Cantabile, this paper seeks to explore Deleuze’s notions of refrain and trans-coding in relation to the problematic of femininity in music-themed comics. In addition, it will probe how this “silent” and motionless medium deploys rhizomatic codes to sonorize “delusional/Deleusian” phantasm and translates woman-as-milieu into a peculiar desiring-machine. 法國漫畫理論學家格容斯汀(thierry gronesteen)強調漫畫的「聲響」特質:「漫畫之本文,遵循以一種以連續框格所加強的韻律:如同音樂中的一個進本的節拍,可以經由其他「樂器」產生更繁雜的節奏效果,來發展,變化,還原」。作為一個視覺媒介,漫畫做大特色之一在於“聯感轉移”(synaesthetic transfer),一個跨感官的越界潛能(透過擬聲字,留白,感情符號以及框架間運動的流動節奏等)。影響團塊的機器,被引導成不斷解疆域化與再疆域化的變奏與變形.本文以竹宮惠子的《變奏曲》,二之宮知子的《交響情人夢》,台灣漫畫家AKRU的《北城百畫帖》為例,追溯本文中跨感官運動與情感轉移,並試圖漫畫中音樂與陰性特質與德勒茲之疊韻和轉碼概念的關係。此外,本文也探討”無聲“且靜止的漫畫媒介,如何配置根莖般的符碼,來聲響化「妄想式/德勒茲式」的幻影,並且將陰性中域(femininity-as-milieu)轉譯為一種獨奇的欲望-機器。
關鍵字
語言 en_US
ISSN 1531-6793
期刊性質 國內
收錄於
產學合作
通訊作者
審稿制度
國別 TWN
公開徵稿
出版型式 ,紙本
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