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Writing Identities: Home and Inheritance in V. S. Naipaul's (Auto-)Biographical Strategy in A House for Mr. Biswas and Derek Walcott's Inter-Generational Memory in Omeros
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2022-09-06 |
| 101 / 2 |
Decomposing the Authoritative Author: Truth and Confession in J. M. Coetzee’s Foe and Summertime
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2023-03-08 |
| 102 / 2 |
Ethics of Writing — From Autobiography to Hetero-Thanato-Biography; A Reading of Derrida's Circumfession
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2022-09-06 |
| 104 / 2 |
柯慈《慢人》裡的失能主體、移民歸屬感與小說增補空間
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2022-09-06 |
| 105 / 2 |
過往的幽靈：翁達傑《身著獅皮》與《分離》裡的記憶製圖以及解域社群
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2024-01-05 |
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Love, War, and the Other in Emmanuel Levinas, Jacques Derrida, and Michael Ondaatje: The English Patient as the Dialogic Field
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2024-01-05 |
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Parallactic History: On Peter Carey's "Lies," "Writing Back," and "Archivation" in Illywhacker, Jack Maggs, and True History of the Kelly Gang
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2024-01-05 |